So I'm going to talk to you about games today, a little bit about the business, and then we're going to dive in and talk about a lot of the technical issues and opportunities in the gaming space. So the first thing I want to talk about is the business. So Apple's product line right now is very hot. People, gamers love Cinema Display. It's just a beautiful, you know, beautiful device to play games on. And the Mac sales, as you heard on Monday, the Mac sales are booming. They're up dramatically. And now that we've released Tiger, which is our, you know, sort of most technologically advanced operating system, It's got the best sales velocity of any release we've done yet. We think we've got all the core technology ingredients in the platform to take this to the next level. Apple's very strong right now.

Looking at the gaming situation on the platform, we've got thousands of titles on the platform at this time, including some of the leading games from some of the top publishers. So gaming up. And if we look at our retail sales, what we see is that games are the number one category in the retail channels. So that's pretty exciting. Gaming on the platform is going very, very well. We're real excited about this. If you look at the industry at large, what you see is you see it's turned into a big business. The estimates will vary, but we've seen numbers like 10 billion. Some people say 15 billion. That's not so important, but what's interesting to note is that in early 2004, what we heard is that the revenues from games for the first time exceeded box office revenues for movies. That's quite a dramatic change.

And as these titles, as these blockbuster game titles start to enter the mainstream culture, become part of the popular culture, what we've also seen is we are seeing the business of gaming begin to look more and more like the business of the film industry, the movie industry. This includes investing in extremely high production value content, fancy talent, fancy graphics. investing lots of money to build proprietary technology, game engines and rendering pipelines and tool sets and things like that. We're also seeing tremendous energy going into the launch activities for these new titles. They're being launched the same way that the Hollywood launches movies.

And in addition, when you find a hit title, what happens now is that it becomes kind of a repeat until rich sort of a process. You take these titles and they become franchises. And it becomes incredibly important because of the business that they don't mess with the formula. You want to kind of repeat that initial success, just like you see happening in the movie industry.

Well, because of this huge upfront investment and because of the tremendous pressure that this is putting on the financial side of the business, there's creating also incredible pressure to get the products out the door. And everyone knows about the dynamic of hitting Christmas holiday season with your title. Well, the good news is you're going to become rich and famous, right?

This is what it's all about. Well, your results may vary. In fact, side effects include long hours, low wages, burnout. I've been reading a whole bunch of stuff on the web, hearing about the kinds of conversations that have been taking place at some of the big gaming conferences. And this is exactly the sort of thing we've been hearing about. Well, there's more to it than that.

When we look at the marketplace, here's kind of the conventional wisdom of what gaming is supposed to be about. It's 99% teenage boys engaged in extreme acts with the rest of the market, 1% for the rest of us. So clearly this is not what the rest of society looks like, and we think there is another way here. And we'd like to say this is the time to declare your independence. Okay.

We've seen this sort of similar dynamic play out in other industries in the past. In the 80s, there was a dramatic transformation that took place at the technology level. There was the availability of new powerful tools that enabled individuals to create and publish music outside of the traditional studio environments. And this gave rise to the business of independent music labels. In the '90s, we saw a similar transformation taking place in the video industry. And this has given rise to a tremendous flourishing in the area of independent television and film production studios. Well, we think that a similar sort of a technological transformation is underway in the gaming industry. And this includes the availability of super powerful GPUs and computer hardware, powerful scripting languages and very powerful visualization tools. And these give individuals, beginning to give individuals the ability to do very high quality production, but in a very much reduced, on a very much reduced sort of a budget. And the reality here is that in each of these instances in the '80s and the '90s with music and video, this democratization of the technology gave rise to huge new opportunities that had tremendous benefits for people with creative ideas. And it also enabled you to bring a whole lot more people into the marketplace than had been there before.

We believe that Mac OS X could be the ideal place for this transformation in games to occur again. In the '80s, Mac was in the forefront of the transformation of the music industry. In the '90s, again, the Macintosh was on the forefront of a dramatic transformation in the video world.

And we think that in this decade, this could happen again, and we're starting to see signs of this already. What I'd like to do now is I'd like to bring Peter Graffagnino up, and he's gonna tell you about some of the technical ingredients that are powering this transformation. Thanks, Tim.

Morning, everybody. It looks like versus Dashboard, we sort of did okay. That's pretty good. I realize there's a lot of traffic with the weather this morning, too, so thanks for showing up. I'm going to talk about some of the game technology we have inside of the OS and kind of take you through it from a couple of different slices. First off, I'm just going to talk about the basic technology itself, the core tech in the OS, and point at some third-party stuff as well. Then I'm going to talk about development models and how games are put together and kind of whether it's a big budget or a small operation, some of the ways people can approach things. I'm also going to talk about a new trend, these game development platforms, which are almost you can think of them as Xcode for developing games, very visual environments where you can create games in a very approachable manner. And then I'm going to go through kind of a laundry list of some really simple best practices things about installers and how to support our monitors that are just best practice things if you are writing a game to keep in mind to have a great Mac game experience. So... So game technology has a number of different components to it.

Obviously, there's graphics and sound and input, which are the key things that make the game go. But then there's also a tools component as well, which is how you build the game and how you analyze its performance and things like that. So let me take you through each of these areas of technology. Obviously, for graphics, we've got OpenGL. In Tiger, OpenGL, we've seen some good performance wins with OpenGL. And here's a graph that shows Panther versus Tiger. The Panther is the 0% line, and these are percent improvements in Tiger that we've gotten across various resolutions with Unreal Tournament and DOOM 3, so we're pretty excited about that. But looking back, if you look back to the original release of Mac OS X, based on your feedback, we put OpenGL in.

OpenGL really sort of ignited the first-person shooter genre with Carmack back in the day, and, you know, we've been continually improving things. We got a lot of feedback in 10.1. We put a bunch of new extensions in. 10.2, full-screen anti-aliasing. 10.3, fragment programs, P buffers, programmability starting to come online, and now with Tiger, we've got OpenGL 2.0, shading language, and many more extensions. And so with this sort of velocity of improvement based on your feedback with OpenGL, one of the things I'd like to talk about today is we're gonna have an OpenGL seeding program, which is the first time we're actually gonna give pre-release bits out to you guys for, um, uh, for, uh, evaluation and to help us tune things. So we think this is gonna be great. Um, basically, we want to get a tighter feedback loop with you and actively engage in kind of investigating performance, um, looking at bugs and making sure when we release, um, the OpenGL stack that it's gonna do exactly what you want. A lot of times these releases are done on very compressed schedules, so we haven't had the opportunity to see it as much as we would like, and we think this is gonna help a lot. So if you're excited about this, we're expecting to get a fair amount of interest in this, so there's an email address there to send your request to, and we're probably not gonna be able to accept everyone into that, so space is gonna be limited, but, you know, let us know you're interested, and we'll expand the program over time. So I think that's great news for OpenGL. There's a bunch of sessions on OpenGL. There's a performance session, and there's a lab-- some labs set up as well. There's obviously some gaming labs as well. We're gonna have OpenGL folks there, so please take advantage of these resources while you're here at the conference. QuickTime is another technology that finds its way in games for things like cutscenes and sometimes video integration in the game. QuickTime 7 is really an interesting opportunity because now the impedance match between QuickTime and OpenGL is eliminated so that we've got real high-performance buffering. You can do video on sprites. You can put that with masks or texture it on as a layer in your shading or things like that. So there's some interesting opportunities now that QuickTime 7 really speaks OpenGL really well. And so we think this is potentially an interesting area for... You saw the jigsaw puzzle game at Tim's keynote.

That was kind of fun. I don't know, maybe there's some ideas there for some interesting things. But in high-end titles, video is used for cut scenes as part of the game play. And H.264 could be a very interesting thing to use for them. You can get more pixels. What we did was World of Warcraft from Blizzard has probably the best cut scenes in the business. And we did some experiments of how, using the same data rate, you could get more pixels. Or you could improve the quality. So here's a test. I don't know if you can look in the eye there and see. That's with 264.

That's without. It's a little bit subtle, but you can get much cleaner video. And when you see this thing on a cinema display, the efficiency of the codec is incredible. So for nice cut scenes, you know-- and these scenes are rendered with, you know, film technology using Maya and tools like that, and having a great codec to preserve all that quality is really nice. So QuickTime sessions, right after this session, in this room, is gonna be a session talking about video and QuickTime working together with OpenGL, so you definitely want to see that. And then there's the Qt Kit session as well on Wednesday, later today.

OpenAL. So OpenAL is our audio solution for games. It's built on top of our core audio engine, and it adds, you know, positional sound and powerful APIs for games modeled after OpenGL. So if you're familiar with OpenGL, driving OpenAL is, like, very similar. And it's been widely adopted across the game community. In fact, you guys were kind of a little bit ahead of us on this. But we've built the version into Tiger now, so we have OpenAL support on the platform, and we're actively engaged with the open source effort on that. So a bunch of games are using OpenAL, and so we think it's a great solution.

On input, we've got the USB HID. USB solved a bunch of problems in terms of connectivity with devices. We realize it doesn't solve every problem. And so this is an area, actually, we're interested in getting some feedback. We realize game configuration, controller configuration UI, is very difficult to write. But we don't necessarily want to get into your game and write your user experience. So a way to think about it in terms of object-oriented program, there's model, view, control.

You know, you guys are gonna own the UI in terms of, you know, how your game setup should work, but what can we do at the model level to improve the abstractions, so things like learn mode and mapping of input points is easier to do? So anyway, talk to us after the session or at the games thing tonight.

and there's an email address for you. The other thing we did in Tiger is built-in haptic support. So we worked with Immersion, who's the clear leader in this field, and we have force feedback framework in Mac OS X, so that's great for giving feedback for devices as well. The last section I'm going to talk about in terms of core technology is tools. Now, these tools come with the OS. Obviously, Xcode, you heard about the importance of Xcode. Obviously, with the processor transition we're undergoing, very important to use Xcode. The other thing is our performance tools are great. These performance tools are cross-architecture, PowerPC and Intel. Great analysis tools for developing code that runs really fast on both architectures, which we think is really going to be a compelling story for us on performance. And obviously, OpenGL Profiler, hopefully all of you are well familiar with this tool. It's just a great tool for tuning your games. And if you haven't used it, you probably have some orders of magnitude of performance on the table that you can get just by firing up this tool. So definitely something you should know about. So those are the pieces of kind of Apple supplies in the OS in terms of core technology. But in terms of building a game, There's a few other pieces you need, you know, so-called middleware. Networking is one, physics is another, and I'll talk about a couple of those. Egea, Novadex physics engine, they're very excited to come to the platform. Actually, they're gonna be giving a lunch talk today on the--on their engine. It's been ported over. It's a great physics engine, optimized for multiple platforms. So this is really a great thing. If you want to learn more, go to their website or just see them today at lunch.

Another area is networking. I can get this thing to work. Another area is networking. There's both commercial solutions like Game Ranger, open source solutions like Open Play, and a ton of other things in terms of doing networking. So there are some URLs to go check out if you're just getting into this stuff.

So that's the kind of game technology areas in terms of the portfolio of the kind of tools in the tool chest to build a game. But let's talk about how that maps over to various kind of game development paradigms. So we call this Pathways to Game Development. So here's kind of the big high-end sort of Hollywood studio model game development. To be honest, not a lot of this occurs on the platform right now, but we think it's a great opportunity. You saw Michael Johnson from Pixar talk about how his team builds really creative internal tools for Pixar to help them create games. We think there's a big opportunity here for doing things like level editors and asset management in terms of custom development. But we've got all the great content creation tools on the platform.

We've got a great technology stack. We've got Xcode. We've got PowerPC and Intel optimization tools. So this is an area we think could be very interesting for the high-end studios. The other thing that typically happens on the platform is those games are not developed natively on the platform, but they're ported. And so we've got a bunch of developers, great developers, who do that for us. And this is a pretty vibrant community. A lot of the high-end games you see come through here. And they use all the great tools, OpenGL, OpenAL, Build Xcode, Tuneless Shark, and OpenGL Profiler. So that's a mode of development. Probably not a lot of you in the audience are in this field, but it's a critical part of our success with games. The last two I'm going to get to are kind of a little more small budget ways of developing. These are things that a small team could do with a great idea. One interesting one is Mac-only game development.

And kind of think of this as you're not so worried about being cross-platform or anything like that. You want to leverage all the technology Apple has, not just the core stuff like OpenGL and OpenAL, of course, but maybe some new things like, you know, iChat or the iSight, or you want to use Quartz Composer to do something 'cause it makes you express your ideas more quickly. And one example of a game like this is the Big Bang board games from Freeverse where they've integrated iChat and all these great OS X technologies You build something you really, you know, can't exactly have an analog for on another platform, but it just feels so much like a Mac experience when you're playing the game. And I think that this is really ripe for experimentation. I think there's a lot of cool things that could be done with EyeSight and OpenGL and all the technology on the platform. And so that's an area that could be pretty interesting to think about if you're thinking about getting into game development.

The other thing that's really interesting that's going on is what I'm going to call downloadable game development. These are ways of developing games that have the wide reach. And so there's a runtime that runs across, say, Mac, PC, consoles. But the focus is on the gameplay and not technology.

And more importantly, the focus is on the creation of the game and not so much on technology development. And these are kind of, again, complete IDEs for games, kind of as a way to think about it. Like Xcode, you press build, your game comes out. They have scripting languages, very visual design tools. The kind of thing a few folks with some graphic design skills and a little bit of logic skills can come up with a game. And so this is an-- we'll talk about a couple of these. Over the Edge Entertainment is a group in Denmark. And you saw this engine, the Unity engine, demoed in Scott Forstall's Mac OS X State of the Union talk. The interesting thing about Unity is you can kind of think of it, it's almost like a Flash environment. I mean, it's not meant for the same things that Flash is, but it's very approachable. You know, a designer with some scripting skills can put together some fairly interesting content with this tool. So it's an integrated editor. It's only on Mac OS X. However, their runtime lets you deploy to other systems. You can create console-quality games with this thing. They've got a neat dashboard widget. You can make your game into a dashboard widget, which is kind of neat. They've got all the, you know, buzzwords. They're, you know, engine has pixel shaders and particles, and it's built on that Novadex physics engine, so that comes with it. And it, you know, so it's just a great platform to experiment with and play around with.

And in fact, you may have heard of the game Goo Ball. Goo Ball's kind of a fun game, like the old marble game, that Ambrosia did. And they did it with this tool. And I think it's really a great way to accelerate development. There's another company that's doing some really innovative stuff in the downloadable game space, and that's Garage Games. And rather than me talk about it, I'm going to invite Jay Moore up to the stage to tell you about what they're up to on the Mac and give you an overview and a demo. Thanks, Jay.

So Garage Games came to the conclusion from a group of guys that have been developing games for over 15 years at Dynamics that games needed to be changed in terms of how they're both made and played. So we founded a company six years ago that is out with the mission to actually create a space where independent development can actually bring new games to market. And the open platform for OS X is an ideal situation for that. We knew that there were three things that had to happen for us to be able to do this successfully. The first one was we needed to create AAA technology that was available to anybody to be able to get access to this. The kind of technology that was licensed for a million dollars and required you to pay a back-end percentage of royalties, which is still the business model today in the AAA game space, is really what we were coming out against with the Torque game engine. Then we actually came to the next pace, which was to get a community of people together that were like-minded, would actually collaborate together. Today we can claim 100,000 members in our community and 45,000 active game developers actually working inside our environment, actually solving solutions to shared game design issues that otherwise you'd have to have a very, very large team in order to compete with. And the third thing that we had to do was actually have a good go-to-market strategy. Today we're shipping eight successful OS X titles, one of them that comes on every Mac that's shipped in the consumer channel today. So we feel like we've gotten a long ways, but right now with OS X 1.4, or with Tiger, we feel like we're at the very cusp of actually breaking through into where innovation can happen. So I want to talk a little bit about the technology that we came to. And I just, real quickly, how many people have ever heard of garage games or the torque game engine in this room? Okay, so from the show of hands, how many people actually own one of our platforms, one of our engines? So we've got about a 10% market penetration in the room, it looks like, maybe 15. We want everybody to have access to this. We want to democratize the technology. Now, this is not technology that's easy to learn. We've got students graduating this year from colleges all across the planet where about 1,000 of them will have been in TORC for about two years and about another 500 to 1,000 have been in TORC for about two terms. But it's about an 18-month learning cycle to get completely up to speed. And what we're doing is actually breaking down those barriers and making it easier to access. And probably the title that I'm most excited about and we're talking about lately is our Torque 2D technology that allows you to understand how to build a game quickly in a 2D environment with state-of-the-art physics, state-of-the-art actual collision systems, as well as using 3D rendering in a 2D environment.

But the Torque Game Engine stands alone. Its source is available, so you actually get to be able to make your game and customize it the way you want. And rather than talking about a lot of these things, let me go ahead and show you just a quick trailer-type demonstration of the Torque Game Engine. If I could see demo two. Peace. So here we've got the Warzone demo, which is our 1.4 implementation of the TorqueGameEngine. And in this, you're going to see just a brief highlight of some of the core features inside of the Torque Game Engine.

I do a one-day demonstration of the Torque game engine that's about a 45,000 foot level overview of our technology. We're going to do that in just a couple of minutes here. Thank you. So here you've got the real-time scene basically showing our cube map skyboxes. You're going to see flying over here a... a moving vehicle where we've actually used the volumetric lighting and particle effects to create an immersive environment here. That was rigid body physics that blew the barrel down on top of us. You'll see that here we've got connected to this, a ability to mount particle and volumetric lighting to the actual object.

Running through here we've got the computer driven AI actually with just giving them a destination and targets for the weapons. So you're actually getting a real immersive space with computer generated bots that you're playing against. The tracer fire is guided by our customizable projectile system. So we have both the particle engine as well as a projectile system built into the engine.

This scene is going to demonstrate what we're known for, which is seamless interior and exterior fly-through, so that you've got portalization, you've got as good a quality input on the visual distance as any engine on the market, so you've got long visual distance on the terrain. We use a level of detail manager, which allows your game to have efficient rendering. Here you're going to see the rigid body physics working integrated. One of the things that differentiates the Torque game engine from every other engine on the planet, it was built on the Star Siege tribes base of technology and we have the most efficient net code allowing for the most people to play against each other online in the same space with the lowest lag. And that's something that is a built in play mechanic but also allows for you to create a real immersive multiplayer game space, whether be a card game or whether it be a first person shooter.

Now this is going to showcase ragdoll animation. We're actually using this to be able to have real efficient net code use. So we use an animation as well as a physics engine for getting that effect. Now you've got a lot of weather and we're using AI pathing on this. We're, the vehicle physics are actually built into the engine and right now you're seeing the terrain. We've got a full terrain editor built into the engine as well. So there's literally 18 different modules to our engine that you actually are going in from lighting to mission editing to control of the terrain as well. So that's just a brief highlight of the Torque game engine. Available instead of for a million dollars, for $100 to anybody who makes less than $250,000 a year. We've literally got tens of thousands of developers working inside of Torque. There's 2,500 active projects being worked on in Torque today. 100 of those will probably become commercial projects. 50 of those we'll bring to market over the next five years. And actually, OS X now represents 60% of our game sales to date. And that's showing you that there's an active market and a great growing opportunity on OS X.

And if you guys want to find out more, catch Jay after the session and talk to him, because he's got a lot of resources for game development. So the last section here I'd like to talk about is what I call Mac OS X game best practices. And these are a lot of little things you can do in your game to enhance the kind of the Mac user experience. The first one's sort of obvious. I mentioned it before. Use the tools. I mean, they're so-- obviously with the processor transition, again, very important. Another thing that's true about the tools is that since it's all Unix and GCC under the hood, You can actually use Xcode as a development environment, but then have a nice cross-platform make file strategy that you can build in other environments as well. So the fact that it's layered on top of Unix, some people have found really interesting. The next thing, support our displays at their native resolution. I mean, if you see a game running at full res on a cinema display, it's just jaw dropping. And a lot of games tend to switch into lower resolutions, or they don't understand the native resolution of the display.

And the thing about LCD technology is that when it's not running native, it looks really bad because, you know, it's a digital device, so it really only has one pixel, unlike a CRT, where you can, you know, the signal is analog on the actual glass. So it's real important to support your-- support our displays at a native resolution. It's just gonna make your games look the best they can.

The other thing, use home directories. A lot of games have tended to install things like save games in the folder where the game is. People reinstall or update, and they lose all of their stuff. Put preferences in the per user places. And make sure that your game's compatible with fast user switching, because that's another important thing. So per user data, per player data, should always go somewhere in the user's home directory. Important thing. Next one, package your application. I mean, how many applications have you seen that look like this? You know, and Mac users, 8.3 file names. I mean, come on. This is, of course, a fictitious example. This is no one's game, actually.

So we have great packaging technology in the OS, so here's that game all wrapped up into one double-clickable thing. Obviously, you know, I know a lot of you guys have done this already, but I think it's real important. Drag installs. Again, if you package your app, you can just drag it from media onto the disk, and it'll just work. And the same thing the user drags on to install is the thing they drag on to play.

or thing they click on when they want to play. Another thing is smart patches and updates. So first, when you're installing, you know, avoid compressing the compressed. You know, that's not-- it's a waste of everyone's time and usually a waste of disk space, too. And zip inside stuff inside tar inside DMG and stuff. You know, it's like, you know, a Russian doll game to try to get at the actual content. And the other thing is, you know, sometimes people have done things like multi-step updates. You have to upgrade a game.

Obviously, the media is huge to begin with, so you don't send the whole thing out. You send out a little update. Then there's a readme file saying, put this thing over in the system library, and this thing, and you're ready to go. And if the user makes one mistake, his game has got to reinstall from scratch. So obviously, use the computer to compute so it knows where to put things. That would be a great thing. So create smart downloads. This is another technology that we have in the OS. Safari use this for -- it has automatically Internet-enabled disk images, so when it sees DMG come down, it can unpack it, put up the appropriate user interface, and automatically clean up after itself when it's done. So there's a great tech note on this that's in Xcode of how to distribute software using Internet-enabled disk images. So check that out. The next thing is integrating with.Mac. This is something we've started where you can use.Mac as a kind of storage place to hold, you know, game ladders and rankings, high scores, things like that. There's an SDK for.Mac, the 2.0 version, which you can go hear about later today, but that's a really interesting opportunity. In fact, The Sims has a, you know, place to go save your sim on.Mac, and so it's really pretty cool.

And with that, I'd like to bring Tim back up for some thoughts and take us through the rest of the presentation. Thanks, Tim. Thanks, Peter. Thank you. Okay, so we've covered some of the key technologies that Apple produces and some very interesting new technologies that are coming from the third-party community to help support creating some great games for Mac OS X. But of course, there's more to getting a game into the market then and having success with that than simply writing the game. Now, that's a lot of work, of course, and that's the focus of most of what we're talking about here. But I want to touch on a few of the other things that are relevant. You know, great games end up living within a community of engaged users. And having a successful gaming business requires an intelligent approach to getting to market. In terms of the resources that Apple can provide to help you kind of get your game going and learn about what's going on, and then market that game and develop, help you build a around your titles, there's several things you can do. First of all, we've got this resource where we post game trailers on apple.com/games. Number one game trailer site. Gets a tremendous amount of traffic. In addition, every week we send out emails, HTML-style emails to about 8 million customers covering all kinds of news about Apple and QuickTime, and we often build into these communications information about interesting developments in the world of gaming. And so this is a great resource. If you've got some information, you've got some ideas, come talk to us, and we'll see what we can do there. And then, of course, there's the Apple Start page, which draws people in and often directs them into interesting parts of the website that talk about issues of importance to the gamers. And the last one is in the QuickTime Player. we've actually got a little content guide that comes up whenever you launch the player, and we use that a lot to promote, uh, uh, um, music or video events that are coming up. We also often use it to talk about interesting things that are happening in the world of games. Now, beyond that, for the development community and for the kind of the business community, we've got this website at developer.apple.com that's focused on kind of a clearinghouse for gaming information and resources and things like that that can help you figure out what do I need to do to develop a game, how do I get that game to market, and just a bunch of good information resources. So you should check that one out for sure.

And then lastly, there is a tremendous amount of information and community resources out on the web that can be very useful for you as you're trying to get your game the market, have it become known within the community. And so you should definitely check these things out as well. They're very, very useful.

Now, I'm not going to spend a lot of time today talking about the real detailed aspects of how Apple can help you get your game into the market, but I want you to understand that we have a lot going on at Apple to help support game developers. And this afternoon in this room, Christy Wyatt from the Developer Relations Team is going to be here and she's going to give you a real detailed look at some of the things that Apple can do to help you with your titles once you've got the technology done. And I think if you're in the business of games, this is a very important session to come and see. You'll learn a lot about what's up with Apple.

Now, there's a lot of other things happening here this week. We're almost halfway through the session-- through the conference, but there's still a lot of things going on at the show that you should know about. Most of the games-related stuff takes place up on the third floor in this area called the Games Connection. It's over on the left-hand side of Moscone, if you're facing kind of the keynote hall. And over lunch each day there will be different talks. Peter mentioned the talk today from the folks at AGEA. And we'll have different topics. And basically this is an opportunity for third parties who are coming in to talk about some of the things that they're up to and help you learn more about what they're doing. In the afternoon we've got sort of like birds of feather type session set up at 2:30 each day to talk and kind of focus in on specific topics. See those each day for the rest of the week.

And then tonight in the Tiger Lab there's going to be a Code Jam. We are going to do some Q&A here at the end of the next couple of slides so you can ask some questions. But if we are not able to answer your question you've got a more detailed topic you'd like to get into, or if it's--again, of course, if it's a coding-related issue, come to the Code Jam tonight. There's gonna be a lot of people from Apple there to help out and answer your questions.

Um, so I guess a parting thought here is we think there's a huge transition that's gonna be coming to the gaming world in the next--in the coming years, and we believe there's a tremendous amount amount of good technology on the platform and a lot of interesting things coming to the platform that are going to give individuals tremendous ability to be able to express their creative ideas and really expand the range of what's possible in the gaming and kind of break out of this sort of genre rut that we seem to be in as an industry and be able to get back into a business that really serves the whole community of people who care about games and, you know, everybody likes to play games, but not everybody is into the first person shooter type of genre. And we think there's great stuff that can be done, but you need to get engaged and tell us what we can do to help you and bring your creative ideas to the platform. It's a great place to innovate. Thank you very much. So.